Selected Bibliography – Anne Tallentire

‘Collective Self-Consciousness’, Anne Tallentire and Chris Fite- Wassilak (Visual Artists Newsheet, Dublin, May|June 2020)

Connolly, Maeve, ‘Feminism, Ireland and Women’s Video Art in the 1980s’, European Women’s Video Art, edited by Laura Leuzzi, Elaine Shemilt and Stephen Partridge (Barnet: John Libbey Publishing, 2019)

Harbison, Isobel, ‘Anne Tallentire’s Life in Art’ (Frieze, 21 November 2018)

‘hmn: The Space of Hesitation’, interview with Chris Fite-Wassilak by Beth Bramich (Afterall Online, 2018)

Paul Hamlyn Award recipient (2018)

Kleist, Alissa, ‘Anne Tallentire’s Shelter’ (Circa, Art Magazine, 19 October, 2016)

O’ Kane Boal, Marianne, ‘Anne Tallentire Shelter’ (Journal Perspective, 2016)

Phillips, Anne, ‘Performance Art in Ireland: A History’ (Live Art Development Agency and Intellect Books, 2015)

The Only Way Home is Through the Show: Performance work of Lois Weaver, Jen Harvie & Lois Weaver (Live Art Development Agency & Intellect Books 2015)

Connolly, Maeve, in ‘Exhibiting the Moving Image: Trailer Time: Cinematic Expectations and Contemporary Art’, edited by François Bovier and Adeena Mey (JRP Ringier, Zürich, 2015)

Sheehan, Declan, ‘A Mouth Without Teeth’ (The Honest Ulsterman, June 2015)

Fite-Wassilak, Chris, ‘Anne Tallentire : Object of a Life’, Artist’s Books (Art Monthly No. 371, Nov 2013)

Connor, Valerie (ed.),’Still, we work’ (National Women’s Council of Ireland, 2013)

Holland, Kitty, ‘Exhibition gives value to the work women do’ (The Irish Times, October 2013)

Barber, Fionna, ‘Art in Ireland since 1910’ (Reaktion Books, 2013)

Henry, Max, ‘At Your Service – Kunst und Arbeitswelt’ (Frieze DE, Summer 2012)

Rugg, Judith and Martin, Craig (eds.), ‘Spatialities: Geographies of Art, Architecture: Timespaces in the Debris of Globalisation’ (University of Chicago Press, 2012)

Connolly, Maeve, ‘The Place of Artists’ Cinema: Space, Site and Screen’ (Bristol: Intellect, 2009)

Tawadros, Gilane (ed.), ‘Life is More Important than Art’ (interview, publication) (London: Ostrich, 2007)

Sumpter, Helen, ‘To Here’ (Time Out London No. 1879, 23-30 Aug 2006)

Sheehan, Declan, ‘Anne Tallentire: Drift: diagram vii’ (Circa No. 115, Spring 2006)

Lanavère, Marianne, ‘In conversation with Daphné le Sergent’ (ExpoRevue, 28 Apr 2003)

Lequeux, Emmanuelle, ‘Art Contemporian: sous l’emprise des sens’ (Le Monde, 25 Feb 2003)

Swinson, James, ‘Conrad Atkinson/Strike’ (Art Monthly No. 261, Nov 2002)

Connor, Valerie, ‘International News, Dublin’ (Contemporary Magazine, Jun-Aug 2002)

Arvila, Katja, ‘Something Else’ (Länsi-Suomi, 17 Sep 2002)

Wilsher, Mark, ‘Sum of the Parts’ (Art Monthly No. 260, Oct 2002)

Currah, Mark, ‘Sleight of Hand at Five Years London’ (LondonArt.co.uk magazine, 2002)

MacWilliam, Shirley, ‘Screen and screen again’ (Circa No. 100, 2002)

Hermansson, Anna, ‘Something Else’ (Åbo Underrättelser, 2002)

Clarke, Robert, ‘Strike, curated by Gavin Wade, adjusted by Liam Gillick’ (The Guardian, 8 Oct 2002)

Sheehan, Declan, ‘work-seth/tallentire’ (Frieze No. 59, May 2001)

Sheehan, Declan, ‘work-seth/tallentire’ (Circa No. 96, Summer 2001)

Obayashi, Ariko, ed., Japan, ‘Very New Art 2000’ (BT special issue, 2000)

Bury, Stephen, ‘artists’ e-books’ (Art Monthly No. 241, Nov 2000)

Withers, Rachel, ‘Allied Forces’ (Artforum, Vol. 37, No. 9, May 1999)

Dunne, Aidan, ‘Reflections on Venice’ (The Irish Times, Jun 1999)

Roberts, Catsou, ‘Performative Woman: The Work of Anne Tallentire/Les performances absentes d’Anne Tallentire’ (Art Press No. 247, Jun 1999)

Jewesbury, Daniel, ‘Return to the Far Pavilions’ (Variant Vol. 12 No. 8, Summer 1999)

Stone, Rob, ‘Snakes and Ladders: Abracadabra’ (Tate No. 18, Summer 1999)

Hübl, Michael, ‘Biennale Venedig: Länder-Pavilions’ (Kunstforum No. 147, Sep-Nov 1999)

Vetrocq, Marcia E., ‘The Venice Biennale: Reformed, Renewed, Redeemed’ (Art in America Vol. 87 No. 9, Sep 1999)

Anson, Libby, ‘Wakefulness in Still Places: an interview with Anne Tallentire’ (Make No. 85, Sep-Nov 1999)

Butt, Gavin and Cairns, Jon, ‘The Art of Trailing: work-seth/tallentire’s Dublin’ (Third Text Vol. 13 No. 48, Autumn 1999)

[…], Seth, John, in ‘Anne Tallentire’, (Project Press Dublin, 1999)

Mac Giolla Léith, Caoimhín, ‘Playing the Green Card’ (Circa No. 90, Winter 1999)

Currah, Mark, ‘Anne Tallentire’ (LondonArt.co.uk magazine, Nov 1999)

Ryan, Orla, ‘trailer, work-seth/tallentire’ (Live Art Magazine No. 23, Dec 1999)

Orlow, Uriel, ‘trailer, Home 2’

Currah, Mark, ‘Maps Elsewhere’ (Time Out London No. 1340, 24 Apr-1 May 1996)

O’Connell, Maurice, ‘”Been and Gone” Project’ (A Journal of the Project Arts Centre, Jan-Feb 1995)

Robinson, Hilary, ‘Exchange Resources’ (Circa No. 75, Spring 1996)

Ardenne, Paul, ‘The Irish Season/Une saison irlandaise’ (Art Press No. 215, Jul-Aug 1996)

Jewesbury, Daniel, ‘Anne Tallentire and John Seth’ (Circa No. 71, Spring 1995)

Robinson, Hilary, ‘Irish/Woman/Artwork: Selective Readings’ (Feminist Review No. 50, 1995)

McCabe, Martin, ‘Headspace: Writing Home/Phoning Home – digital postcards from the edge’ (Sculptors Society Newsletter, Aug-Sep 1994)

Hardy, Ken, ‘Diaspora: Modernity = Mobility’ (Circa No. 69, Autumn 1994)

Barber, Fionna, ‘Territories of Difference: Irish Women Artists in Britain’ (Third Text Vol. 8 No. 27, 1994)

Johnston, Sandra; Connolly, Brian, et al., ‘Irish Days’ (Circa No. 70, Winter 1994)

Izhar, Siraj, ‘Edge in the Centre: Irish Artists in London’ (Circa No. 66, Winter 1993)

Izhar, Siraj, ‘Anne Tallentire and John Seth: Interruptions: Showroom’ (Hybrid No. 2, Apr-May 1993)

Jennings, Rose, ‘Anne Tallentire – Camerawork’ (Time Out London, 28 Aug-4 Sep 1991)

Barber, Fionna, ‘Strategy of Resistance: Anne Tallentire – Recent Work (FAN, Vol. 3 No. 3, 1990)

Hubbard, Sue, ‘Along The Lines of Resistance, Citizens Gallery’ (Time Out London, 1990)