The making of the work is a performative process in assembling, orientating, moving, disassembling. Through interspacing plays with perspective and perceptions and how we interpret generic patterns in our everyday life. The reuse and repurposing of materials is key to her practice – denoting the impermanence of the built environment and the precarity in which we live. The billboard’s representation of this staged work acts as a social and political disruption, an interruption from the everyday advertising.
