Three sheets of metal suspended from the glass ceiling of the gallery divided the space in two to create a precarious balance between the infrastructure of the building and materials introduced. Lying beneath the panels three glass trays of blue-black ink reflected the sky above. The panels, covered on one side with red flannel material, produced a reflected glow of pink light on the far wall whilst on the near side a projected image of hands holding a map filled the lower half of the centre panel, fracturing the symmetry of the installation
